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Michael Sadleir (25 December 1888 – 13 December 1957), born Michael Thomas Harvey Sadler, was a British publisher, novelist, book collector, and Bibliography.
Sadleir then attended Balliol College, Oxford, where he read history and won the 1912 Stanhope essay prize on the political career of Richard Brinsley Sheridan. Before the First World War, Sadleir and his father were keen collectors of art, (2025). 9781406731255, The Gallery. ISBN 9781406731255 and purchased works by young English artists such as Stanley Spencer and Mark Gertler. They were amongst the first collectors (and certainly the first English collectors) of the paintings of the Russian-born German Expressionist artist Wassily Kandinsky. In 1913, both Sadleir and his father travelled to Germany to meet Kandinsky in Munich.Tom Steele, Alfred Orage and the Leeds Arts Club (1893–1923) (Aldershot, Ashgate 1990) p. 179. This visit led to Sadleir translating into English Kandinsky's seminal written work on expressionism, Concerning the Spiritual in Art in 1914. This was one of the first coherent arguments for abstract art in the English language and the translation by Sadleir was seen as both crucial to understanding Kandinsky's theories about abstract art and as a key text in the history of modernism. Extracts from it were published in the Vorticist literary magazine BLAST in 1914, and it remained one of the most influential art texts of the first decades of the twentieth century.
Sadleir began to work for the publishing firm of Constable & Co. in 1912, becoming a director in 1920, and chairman in 1954. In 1920 as editor of Bliss and Other Stories by Katherine Mansfield for Constable he insisted on censoring sections of her short story Je ne parle pas français which show the cynical attitudes to love and sex of the narrator. Her husband John Middleton Murry persuaded Sadleir to reduce the cuts slightly (Murry and Sadleir had founded the avant-garde quarterly Rhythm in 1912). (1984). 019558113X, Oxford University Press. 019558113X
After the end of World War I, he served as a British delegate to the Paris Peace Conference, 1919, and worked at the secretariat of the newly formed League of Nations.
As a literary historian, he specialised in 19th-century English fiction, notably the work of Anthony Trollope. Together with Ian Fleming and others, Sadleir was a director and contributor to The Book Handbook, later renamed The Book Collector, published by Queen Anne Press.
He also conducted research on Gothic fiction and discovered rare original editions of the Northanger Horrid Novels mentioned in the novel Northanger Abbey by Jane Austen. Beforehand, some of these books, with their lurid titles, were thought to be figments of Austen's imagination. Sadleir and Montague Summers demonstrated that they did really exist.
In 1937, he was the Sandars Lectures at Cambridge University, on the subject of the "Bibliographical Aspects of the Victorian Novel".
He was President of the Bibliographical Society from 1944 to 1946. The Bibliographical Society – Past Presidents , bibsoc.org.uk (archived webpage). Retrieved 15 July 2017.
Sadleir's best-known novel was Fanny by Gaslight (1940), a fictional exploration of prostitution in Victorian era London. It was film adaptation under that name as a 1944 film. The 1947 novel Forlorn Sunset further explored the characters of the Victorian London underworld. His writings also include a biography of his father, published in 1949, and a privately published memoir of one of his sons, who was killed in World War II.
The remarkable collection of Victorian fiction compiled by Sadleir, now at the UCLA Department of Special Collections, is the subject of a catalogue published in 1951. His collection of Gothic fiction is at the University of Virginia Albert and Shirley Small Special Collections Library.
Sadleir lived at Througham Court, Bisley, in Gloucestershire, a fine Jacobean farmhouse altered for him by the architect Norman Jewson, c. 1929. He sold Througham Court in 1949 and moved to Willow Farm, Oakley Green, in Berkshire.
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